Тема: Arthur Schopenhauer alleges that women use their vagina and men's high sex drive to survive?

In 1821, he fell in love with nineteen-year-old opera singer, Caroline Richter (called Medon), and had a relationship with her for several years, but did not marry her. When he was forty-three years old, he took interest in seventeen-year-old Flora Weiss but she rejected him as recorded in her diary. [35]

He deemed music a timeless, universal language comprehended everywhere, that can imbue global enthusiasm, if in possession of a significant melody. [42]

In 1821, he fell in love with nineteen-year-old opera singer, Caroline Richter (called Medon), and had a relationship with her for several years, but did not marry her. When he was forty-three years old, he took interest in seventeen-year-old Flora Weiss but she rejected him as recorded in her diary. [35]

He deemed music a timeless, universal language comprehended everywhere, that can imbue global enthusiasm, if in possession of a significant melody. [42]

You may have first been exposed to German philosopher Arthur Schopenhauer with his essay On Women, which I reviewed a year ago. It was originally found in his Studies In Pessimism compilation which includes eight other essays. Here are my favorite quotes from those essays:

the greatest wisdom is to make the enjoyment of the present the supreme object of life; because that is the only reality, all else being merely the play of thought. On the other hand, such a course might just as well be called the greatest folly: for that which in the next moment exists no more, and vanishes utterly, like a dream, can never be worth a serious effort.

The World as Will and Representation ( WWR ; German : Die Welt als Wille und Vorstellung , WWV ) is the central work of the German philosopher Arthur Schopenhauer. The first edition was published in 1818/19, [1] the second expanded edition in 1844, and the third expanded edition in 1859. In 1948, an abridged version was edited by Thomas Mann. [2]

Schopenhauer frequently acknowledges drawing on Plato in the development of his theories and, particularly in the context of aesthetics, speaks of the Platonic forms as existing on an intermediate ontological level between the representation and the Will.

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Authors: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z other

The German philosopher  Arthur Schopenhauer  (1788-1860) is often cited as the greatest pessimist in the Western philosophical tradition. It is curious, however, that he never referred to his philosophy as pessimism in any of the works he prepared for publication. In fact, he used the ideas of “optimism“ and “pessimism” to classify religions, of which he favored  Buddhism and Hinduism , religions he classified as “pessimistic.” But if a pessimist is someone who:

“Existence becomes problematic with the appearance of animal life, the appearance of conscious beings that become aware of their frustrated willing, beings that experience boredom, pain, suffering, and death”

- I don t see that in Schopenhauer. His views of suffering and life were essentially Buddhist in nature. While he viewed suffering as a key element to ones character, I don t think he perceived it as positive. I think he viewed it, for lack of a better term, as an opportunity or motive for improvement.

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In 1821, he fell in love with nineteen-year-old opera singer, Caroline Richter (called Medon), and had a relationship with her for several years, but did not marry her. When he was forty-three years old, he took interest in seventeen-year-old Flora Weiss but she rejected him as recorded in her diary. [35]

He deemed music a timeless, universal language comprehended everywhere, that can imbue global enthusiasm, if in possession of a significant melody. [42]

In 1821, he fell in love with nineteen-year-old opera singer, Caroline Richter (called Medon), and had a relationship with her for several years, but did not marry her. When he was forty-three years old, he took interest in seventeen-year-old Flora Weiss but she rejected him as recorded in her diary. [35]

He deemed music a timeless, universal language comprehended everywhere, that can imbue global enthusiasm, if in possession of a significant melody. [42]

You may have first been exposed to German philosopher Arthur Schopenhauer with his essay On Women, which I reviewed a year ago. It was originally found in his Studies In Pessimism compilation which includes eight other essays. Here are my favorite quotes from those essays:

the greatest wisdom is to make the enjoyment of the present the supreme object of life; because that is the only reality, all else being merely the play of thought. On the other hand, such a course might just as well be called the greatest folly: for that which in the next moment exists no more, and vanishes utterly, like a dream, can never be worth a serious effort.

The World as Will and Representation ( WWR ; German : Die Welt als Wille und Vorstellung , WWV ) is the central work of the German philosopher Arthur Schopenhauer. The first edition was published in 1818/19, [1] the second expanded edition in 1844, and the third expanded edition in 1859. In 1948, an abridged version was edited by Thomas Mann. [2]

Schopenhauer frequently acknowledges drawing on Plato in the development of his theories and, particularly in the context of aesthetics, speaks of the Platonic forms as existing on an intermediate ontological level between the representation and the Will.

Did you know that you can help us produce ebooks by proof-reading just one page a day? Go to: Distributed Proofreaders

Authors: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z other

Well, if you are a woman, it is rather hard to like someone who felt about women the way he did. But there is nothing particularly unusual about Schopenhauer, most philosophers are rude about women.

In 1821, he fell in love with nineteen-year-old opera singer, Caroline Richter (called Medon), and had a relationship with her for several years, but did not marry her. When he was forty-three years old, he took interest in seventeen-year-old Flora Weiss but she rejected him as recorded in her diary. [35]

He deemed music a timeless, universal language comprehended everywhere, that can imbue global enthusiasm, if in possession of a significant melody. [42]

You may have first been exposed to German philosopher Arthur Schopenhauer with his essay On Women, which I reviewed a year ago. It was originally found in his Studies In Pessimism compilation which includes eight other essays. Here are my favorite quotes from those essays:

the greatest wisdom is to make the enjoyment of the present the supreme object of life; because that is the only reality, all else being merely the play of thought. On the other hand, such a course might just as well be called the greatest folly: for that which in the next moment exists no more, and vanishes utterly, like a dream, can never be worth a serious effort.

Plutarch"s Parallel Lives was standard reading Schopenhauer essays.

9

Did not read it but it seems about women.Schopenhauer did not have much good to say about women like most people during this time.

10

Schopenhauer's essays from Parerga and Paralipomena presented beautifully in e-book and paperback formats.

11

In 1821, he fell in love with nineteen-year-old opera singer, Caroline Richter (called Medon), and had a relationship with her for several years, but did not marry her. When he was forty-three years old, he took interest in seventeen-year-old Flora Weiss but she rejected him as recorded in her diary. [35]

He deemed music a timeless, universal language comprehended everywhere, that can imbue global enthusiasm, if in possession of a significant melody. [42]

You may have first been exposed to German philosopher Arthur Schopenhauer with his essay On Women, which I reviewed a year ago. It was originally found in his Studies In Pessimism compilation which includes eight other essays. Here are my favorite quotes from those essays:

the greatest wisdom is to make the enjoyment of the present the supreme object of life; because that is the only reality, all else being merely the play of thought. On the other hand, such a course might just as well be called the greatest folly: for that which in the next moment exists no more, and vanishes utterly, like a dream, can never be worth a serious effort.

The World as Will and Representation ( WWR ; German : Die Welt als Wille und Vorstellung , WWV ) is the central work of the German philosopher Arthur Schopenhauer. The first edition was published in 1818/19, [1] the second expanded edition in 1844, and the third expanded edition in 1859. In 1948, an abridged version was edited by Thomas Mann. [2]

Schopenhauer frequently acknowledges drawing on Plato in the development of his theories and, particularly in the context of aesthetics, speaks of the Platonic forms as existing on an intermediate ontological level between the representation and the Will.